Au Revoir, Mon Amour 何日君再来
Chinese title (trad.):
何日君再來
Chinese title (simpl.):
何日君再来
Russian title:
Прощай, моя любовь
Other titles:
Пока мы не встретимся вновь; Till We Meet Again
Release year:
1991
Country:
Hong Kong
Genre:
war, romance
Language:
cantonese
Hong Kong release date:
Movie crew
director:
presenter:
script:
script supervisor:
production manager:
assistant director:
planning:
composer:
cinematographer:
art director:
costume designer:
Peter Yao Jia-Guo, Yiu Wai-Man, Chan Sau-Ming
2 m.
Peter Yao Jia-Guo
13 m.
Yiu Wai-Man
44 m.
Chan Sau-Ming
makeup:
lighting:
hair stylist:
editor:
sound recordist:
Chow Shao-Lung, Nip Kei-Wing, Sam Yan, Chan Wai-Yip
214 m.
Chow Shao-Lung
79 m.
Nip Kei-Wing
2 m.
Sam Yan
2 m.
Chan Wai-Yip
props:
assistant action director:
distributor:
Awards
Hong Kong Film Award 1992
Best actress
Best supporting actress
Best cinematography
Best art direction
Russian translations
Translation
Where to find
Actors
Sheren Tang Shui-Man
Aged 24 years
Aged 24 years
Awards
Hong Kong Film Award 1992
Best actress
Best supporting actress
Best cinematography
Best art direction
Awards
Hong Kong Film Award 1992
Best actress
Best supporting actress
Best cinematography
Best art direction
Russian translations
Translation
Where to find
Actors
Sheren Tang Shui-Man
Aged 24 years
Aged 24 years
Anita Mui Yim-Fong
Aged 27 years
Aged 27 years
Tony Leung Ka-Fai
Aged 32 years
Aged 32 years
Carrie Ng Ka-Lai
Aged 28 years
Aged 28 years
1 m.
Akai Hidekazu
Norman Tsui Siu-Keung
Aged 40 years
Aged 40 years
Kenneth Tsang Kong
Aged 56 years
Aged 56 years
Aoyama Chikako
Aged 22 years
Aged 22 years
Kunimura Jun
Aged 35 years
Aged 35 years
Anita Mui Yim-Fong
Aged 27 years
Aged 27 years
Tony Leung Ka-Fai
Aged 32 years
Aged 32 years
Carrie Ng Ka-Lai
Aged 28 years
Aged 28 years
1 m.
Akai Hidekazu
Norman Tsui Siu-Keung
Aged 40 years
Aged 40 years
Kenneth Tsang Kong
Aged 56 years
Aged 56 years
Aoyama Chikako
Aged 22 years
Aged 22 years
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Кроме трагической истории любви, достаточно сильная лента также наполнена неплохим экшном (иногда медленным во время романтических сцен) и поединками. Высококачественные декорации, а так же хорошая, плавная работа оператора. Фильм наполнен атмосферой тех лет (правда, иногда проскальзывает что-то из 90х. Сомневаюсь, что базука, из которой стрелял Норман Цуй, уже применялась в той войне).
Даже Норман Цуй прекрасен в отрицательной роли ужасного секретного агента Тит Чак-Ман'а, работающего на японцев (на фоне него японский посол выглядит джентльменом). Как и опытная Кэрри Нг в роли сексуальной соблазнительницы (вот любят девчонки плохишей).