2046
Chinese title (trad.):
2046
Chinese title (simpl.):
2046
Russian title:
2046
Release year:
2004
Country:
Hong Kong
Running time:
127 minutes
Genre:
drama
Language:
cantonese
Age rating:
II B
Ratings
*Budget & boxoffice*
Hong Kong box office: $779 343
Movie crew
director:
presenter:
executive producer:
producer:
Wong Kar-Wai, Zhang Yi-Mou, Eric Heumann, Ren Zhong-Lun, Charley Zhuo Wu, Jacky Pang Yi-Wah, Zhu Yong-De
42 m.
Wong Kar-Wai
Aged 45 years
44 m.
Zhang Yi-Mou
Aged 53 years
34 m.
Jacky Pang Yi-Wah
106 m.
Zhu Yong-De
Aged 61 year
42 m.
Aged 45 years
44 m.
Aged 53 years
1 m.
Eric Heumann
242 m.
Ren Zhong-Lun
59 m.
Charley Zhuo Wu
34 m.
106 m.
Aged 61 year
script:
script supervisor:
production manager:
Liu Bin, Alice Chan Wai-Chung, Johnnie Kong Yeuk-Sing, Lee Chi-Pooi, Ho Ching-Man, Lee Chiu-Wa, Wendy Chan Wai-Si, Carly Wong Dung-Fa, Paul Au Wai-Keung
135 m.
Liu Bin
Aged 42 years
33 m.
Alice Chan Wai-Chung
44 m.
Johnnie Kong Yeuk-Sing
21 m.
Lee Chiu-Wa
14 m.
Wendy Chan Wai-Si
39 m.
Carly Wong Dung-Fa
22 m.
Paul Au Wai-Keung
135 m.
Aged 42 years
33 m.
44 m.
33 m.
Lee Chi-Pooi
5 m.
Ho Ching-Man
21 m.
14 m.
39 m.
22 m.
assistant director:
Lee Chiu-Wa, Ye Li-Feng, Jonathan Ke Quan, Rosanna Ng Wai-San, Sincere Hui Sin-Si
21 m.
Lee Chiu-Wa
Aged 32 years
33 m.
Rosanna Ng Wai-San
14 m.
Sincere Hui Sin-Si
21 m.
2 m.
Ye Li-Feng
6 m.
Jonathan Ke Quan
Aged 32 years
33 m.
14 m.
planning:
composer:
cinematographer:
Christopher Doyle, Lai Yiu-Fai, Kwan Pun-Leung
Aged 51 year
68 m.
Christopher Doyle
Aged 51 year
58 m.
Lai Yiu-Fai
18 m.
Kwan Pun-Leung
art director:
costume designer:
makeup:
lighting:
hair stylist:
Chan Man-Jim, Wong Bo-Chuen, Samuel Wong Kwok-Hung
124 m.
Samuel Wong Kwok-Hung
1 m.
Chan Man-Jim
2 m.
Wong Bo-Chuen
124 m.
editor:
special effects:
Guillaume Raffi, Sonia Holst, Nadir Benhassaine, Nicolas Bonnell
1 m.
Guillaume Raffi
1 m.
Sonia Holst
1 m.
Nadir Benhassaine
1 m.
Nicolas Bonnell
sound recordist:
props:
action director:
Awards
Hong Kong Film Award 2005
Best director
Best screenplay
Best actor
Best actress
Best cinematography
Best art direction
Best editing
Best music
Best costumes
Golden Horse Film Festival 2004
Best actor
Best actress
Best cinematography
Best art direction
Best music
Best costumes
Russian translations
Translation
Where to find
Actors
112 m.
Aged 41 year
14 m.
Aged 34 years
33 m.
Aged 24 years
102 m.
159 m.
Aged 49 years
82 m.
Aged 39 years
1 m.
Ching Ho-Fung
11 m.
Jiang Xinyu
Ratings
*Budget & boxoffice*
Hong Kong box office: $779 343
Awards
Hong Kong Film Award 2005
Best film
Best director
Best screenplay
Best actor
Best actress
Best cinematography
Best art direction
Best editing
Best music
Best costumes
Golden Horse Film Festival 2004
Best film
Best actor
Best actress
Best cinematography
Best art direction
Best music
Best costumes
Awards
Hong Kong Film Award 2005
Best film
Best director
Best screenplay
Best actor
Best actress
Best cinematography
Best art direction
Best editing
Best music
Best costumes
Golden Horse Film Festival 2004
Best film
Best actor
Best actress
Best cinematography
Best art direction
Best music
Best costumes
Russian translations
Translation
Where to find
Actors
112 m.
Aged 41 year
14 m.
Aged 34 years
33 m.
Aged 24 years
112 m.
Aged 41 year
14 m.
Aged 34 years
33 m.
Aged 24 years
34 m.
Aged 38 years
115 m.
Aged 38 years
1 m.
Kimura Takuya
Aged 31 year
1 m.
Sum Wang
43 m.
Aged 27 years
112 m.
Aged 41 year
14 m.
Aged 34 years
33 m.
Aged 24 years
34 m.
Aged 38 years
115 m.
Aged 38 years
1 m.
Kimura Takuya
Aged 31 year
1 m.
Sum Wang
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То, что снимает "один и тот же фильм" - это не плохо. Их тоже можно по отдельности рассматривать.
Давеча пересматривала "Любовное настроение". "2046", который можно воспринимать и как продолжение, видела зимой, но помню хорошо.
"Любовное настроение" можно смотреть еще и еще из-за атмосферы и видеоряда, как на огонь - никогда не надоест.
"2046" снят и необычно и интересно и местами нравится, но частенько кажется, что создателям изменяет чувство вкуса и меры. Фильм хороший, смотреть его стоит (много в душе отзовется), хотя, действительно, он не несет в себе заряда свежести и непредсказанности (но, в конце концов, Кар-Вай повторяет сам себя, а не кого-то). Тема про "дупло и тайны" никак не дает ему покоя, потому он о ней постоянно и несколько навязчиво говорит. Тоска.
А музыка.... Помню, когда услышала "Casta Diva" даже улыбнулась - как часто режиссеры ее используют в кино, говоря о кризисе среднего возраста и о любви.